Notes

From the writing desk

Craft & process

Why the backwaters had to be a character in The Copper Water

On setting a mystery in a landscape that keeps its own secrets, and why Kerala's waterways ended up shaping the plot as much as any character did.

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On fatherhood

The letters we don't send

What years of moving between countries taught me about the words that go unsaid between fathers and children — and how that became the spine of What Meera Never Sent.

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Memory & place

Notes from Vadackal

A short essay on returning, however briefly, to the village that still shows up in every book I write — and what stays the same when everything else has changed.

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